performers: Melina Brinkmann (they\/she), Dana Maxim (they\/she)
\ndescription:
\nResistance is acknowledging the abuse that happened to you.
\nResistance is acknowledging the abuse that happened with someone close to you.
\nResistance is acknowledging the abuse that happened with someone nothing like
\nyou. […]
\nWe are inviting you for a coming together among FLINTA*. Please wear comfortable
\nclothes and shoes, as you are invited to join our movement practice.
\nLanguage: english
\nDuration: 45 min<\/p>\n
Dana (*1997, MD) and Mel (*1995, DE) got to know each other at the Institute for Applied Theatre Studies in Giessen. Both of them work on socio-political issues from an intersectional-queer-feminist perspective through different mediums: hybrid performances, choreography and installative formats. Melina Brinkmann lives and works in Berlin as a choreographer, performer and
\ndirector assistant. In her\/their latest choreographic work, her team and she\/they collaborate with a group of girls* and develop a fantastic anti-ballet using styles of K-pop, folk dance and classical dance, which will be premiered at uferstudios 10th of March. 2022 she\/they assisted at the production \u201cOphelia\u2019s Got Talent\u201d by Florentina Holzinger at Volksb\u00fchne and worked at Ballhaus Ost and uferstudios for the director Sebastian Blasius. In 2021 Mel and her team presented the augmented-reality performance \u201cPushback GO\u201d in the public space of Frankfurt a.M., which was funded by Fonds Soziokultur, Hessische Theaterakademie and Kulturamt Giessen. Within the project the artistic team, that consisted of Yazan Melhem, Judith Bethke, Yazan Twakalna, Till Kr\u00fcger and Mel, organized a workshop for people with refugee and\/or migration background to exchange skills of acting, dancing and life-experience. Dana Maxim is a multimedia artist, from Chi\u0219in\u0103u, Moldova. Their last works: the installation Oh! The heartache – a collaboration with Eva Streit, and the performance Softcore Pornography – an i[n|d]ivisible work with NIX*, are dealing with
\nmigration and stigma from the perspective of a white Eastern European. Both works are a part of the project Poverty Heritage. Together with their colleague Eng Kai Er, have produced the online performance \u2018skin on screen\u2019, which was performed at Theatermaschine, HTA-showcase and Hessische Theatertage. Before moving to Germany, they worked with Rimini Protokoll as a translator and performer in Remote Chisinau audio walk, a collaboration with CPC Azart and Sava Cebotary Theater Company. Their first play The ART Student, a manifesto against the sexual
\nabuses in Moldovan high schools, was awarded first place by Babe\u0219-Bolyai University, Romania. She wrote the play being one of the playwright\u2019s Inna Cebotari mentees, at the age of 19.<\/p>","protected":false},"featured_media":0,"template":"","class_list":["post-396","spektakl","type-spektakl","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/transformacja.at.edu.pl\/en\/wp-json\/wp\/v2\/spektakl\/396"}],"collection":[{"href":"https:\/\/transformacja.at.edu.pl\/en\/wp-json\/wp\/v2\/spektakl"}],"about":[{"href":"https:\/\/transformacja.at.edu.pl\/en\/wp-json\/wp\/v2\/types\/spektakl"}],"wp:attachment":[{"href":"https:\/\/transformacja.at.edu.pl\/en\/wp-json\/wp\/v2\/media?parent=396"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}